Cannes 2016

Now that we're back from Cannes, it's time to debrief. What happened there? First, we got a lot of exposure on Parkland's booth: the poster was attracting people's attention, and we were able to show them the first few minutes of the film, which were not quite finished (sound mix is still a few days away) but were good enough to start a conversation.

Usually at the film market, sensational posters are used to promote very cheap movies with low production values. In our case, the footage always surprised the viewers because... well, it looked good. Shane Briant is very classy, John Lebar is menacing, Stephanie Campion is a perfectly british Mrs Hudson... Those of you who pledged for the DVD on the crowdfunding campaign should be able to check for yourself when you receive it in a few weeks. As for the others, the campaign is still open, you can join the project right now if you want to be a part of it: igg.me/at/holmes-vs-frank

What else happened there? Lots of meetings regarding possible coproductions, sales of our movies Revenge, The Girl with Two Faces and House of VHS (which will be on DVD in the UK in September, under the title Ghosts in the Machine) and of Ian Powell's Razors (which will also be released in the UK in a few months)...

But of course, the film we all want to see come to life is Sherlock Holmes vs Frankenstein. Any good news on this side? Probably, yes. We still can't announce who will play Holmes and Watson, but the financing part is progressing nicely, and we're still looking at shooting in Belgium soon. Keep supporting the movie by joining the Facebook page and the Twitter account, by getting the book from Amazon (version française disponible bientôt !), and by mentioning it to everyone around you. Needless to say, we would rather be filming right now than wait a few more months!

Favourite titles and posters from Cannes film market

Sherlock Holmes vs Frankenstein: off to phase 2

Three days of filming! That's how far we've gone to this day. Which is really exciting, and at the same time incredibly frustrating, because there's so much to tell and we have to hold back until the budget is assembled.

photo by Alex Pixelle

But still, we have a few nice scenes in the can, including footage with the awesome Shane Briant, who had no problem returning to the world of gothic horror 42 years after Frankenstein and the Monster From Hell. I think the conditions were a little more extreme last weekend than they were on the set of Hammer Films, with a temperature culminating at zero degrees! (celsius of course) Shane was so dedicated that he suggested putting ice in his mouth to avoid making breath vapor when saying his lines.

What are the next steps for Sherlock Holmes vs Frankenstein, you might ask? Of course, completing post-production on what we've shot so far (roughly 5 minutes of film). And then, finding the first real chunk of the budget, the one that will allow us to secure the actors for Holmes and Watson, and set the filming dates later in 2016. Fan support can be provided on Indiegogo as always (and helps a lot), but we're also welcoming private investments: if you're interested in that, you should contact us at marteau at marteaufilmsproduction.com , and we will send you details about the investment opportunities.

Let us know what you think of the first images by leaving messages on Facebook & Twitter!

Getting ready

All right, now that we're through the first phase of crowdfunding, with more than 30,000€ already raised, the time has come for filming Sherlock Holmes vs Frankenstein. Yay! Which means assembling the cast and crew, sorting out the dates, prepping costumes, sets and special effects, storyboarding the scenes... And we're only talking about the first few scenes of the film, the ones that we will be able to shoot thanks to the crowdfunding campaign.

Phase two will include securing the rest of the budget, and hopefully getting some additional help from the crowd in doing so. If we can get the numbers to 40,000 by the end of December, we will film a few scenes with Shane Briant himself in early 2016. Then the main shoot will be in May 2016, if everything goes smoothly (which will be the case, right?)

If you haven't contributed yet, or feel like returning in order to take the campaign to the next level, you're very welcome to join now: http://igg.me/at/holmes-vs-frank

Remember you can watch the original test film on the page, and also listen to a few excerpts from the script, recorded during a public reading in Paris:

If you want a taste of the story before the film even hits the screens, prepare yourself for the script's novelization, which is currently being written by British author David Whitehead. Readers already know him under his pen name Ben Bridges, which he has been using for an impressive number of westerns. He recently wrote the novelization of the movie Day of the Gun with Eric Roberts.

The great detective is no stranger to David, who has already written several original Sherlock Holmes stories, and is also an avid Hammer Horror fan, which makes him the perfect match for a story called "Sherlock Holmes vs Frankenstein".

As if prepping a shoot and financing a feature wasn't enough, we are also in the process of finding distribution for my first film House of VHS. Festivals, video release... Stay tuned for a few announcements and surprises very soon on these subjects too.

The other side of Cannes: film markets

While most people see Cannes or Berlin as posh festivals where a bunch of stars drink champagne and rub their feet on a prestigious red carpet, there is also a whole other side that is mostly known to industry professionals: film markets.

Getting a film made and seen is not only a creative process involving preparation, shooting and post-production. It's also a business, as is evident when you walk the corridors of one of the major film markets. There are only a fistful of them: Berlin EFM (European Film Market) in February, Cannes in May, the Los Angeles AFM (American Film Market) in November, and a few others in Hong Kong, Dubai, and now in Montreal and Bruxelles for horror and fantasy movies.

The innocent passersby will have a hard time sorting out which film is already completed (and sometimes available in some territories), and which film is still only a title and a poster, waiting for filming or still looking for funding. A quick look at the projects reveals that even today, 40 years after the release of Jaws, there is still an incredible amount of love for shark movies: Sharknado comes to mind, of course, but the market also bears titles such as Sky Sharks, Sharktopus, Atomic Shark, 2-Headed Shark Attack, 3-Headed Shark Attack or even the incredible Raiders of the Lost Shark. If you don't have sharks in the film, you probably should attach a strategic actor to your cast: Steven Seagal and Dolph Lundgren are still incredibly popular on an international level, as are Gary Daniels, Eric Robert, Danny Trejo and Michael Madsen. Of course, having a film with both Dolph Lundgren and a shark is a double win, as the producers of Shark Lake obviously know.

In a market overflooded with very low budget movies and prefinanced action flicks, it is really hard to secure funding for an ambitious movie like Sherlock Holmes vs Frankenstein. Until there's a strategic name on the poster, or an indisputable wave of interest for the project, our film remains one of the many posters waiting in line for money. In order to speed things up, we will be running a big crowdfunding campaign starting next Monday, to raise 25,000€ and begin filming a few scenes. If we can pull off this stunt, the rest of the budget will be much easier to assemble – and you will finally get to see Shane Briant, Clement von Franckenstein and a few other familiar faces in an exciting gothic mystery.

Join the effort on Indiegogo next week if you want to watch Sherlock Holmes vs Frankenstein in the near future and see your name in the credits!

Not dead! Alive!

On this day in 1891, Sherlock Holmes met his doom at Reichenbach Fall... Or did he? Everyone thought him dead for several years, after his battle against Professor Moriarty. But he returned, as if brought back to life by a mad scientist à la Frankenstein.

In a very similar way, the project “Sherlock Holmes vs Frankenstein” was thought dead for a while. But there's no way I would throw in the towel on this story. There are too many people involved, too many wanting to see it, and hell, even I want to see it more than anyone else!

Finishing my first feature film Houseof VHS took forever, partly because I had to fight off my business partner and say goodbye to a 20-year-old friendship. Also because there was less and less money available, for a movie that barely had any budget to begin with. Also, on a much lighter side, because I had my second child last year. All of this took up a lot of time and energy, and sometimes it seemed that my hair would turn white before the movie would be finished. Fortunately, I was lucky enough to meet a bunch of people who were passionate, creative and talented enough to bring the project to its completion.

Now it's time for Sherlock Holmes vs Frankenstein to make its comeback. So far, financiers have asked “have you ever made a feature film before?” and “who wants to see a movie called Sherlock Holmes vs Frankenstein?”. The answer to the first question is now “Yes”, and I hope to prove that the answer to the second is “A lot of people”. In order to do that, we will run a crowdfunding campaign on indiegogo from May 25^th to June 25^th, and try to raise the first chunk of the budget.

So if you wish to see the movie come to life, you can have a hand in that by supporting the campaign, not only by donating on May 25^th, but also by posting messages, videos or pictures and by stating loud and clear “I want to see Sherlock Holmes vs Frankenstein!”

To be continued...

2012: Marteau

Marteau Films Production was incorporated in December 2011, the same month I quit my day job. The plan was simple, and at the same time incredibly ambitious: to figure out how to produce Sherlock Holmes vs Frankenstein as a French/English genre film, then move on to other projects. At first, things went smoother than I would have thought: talented actors and award-winning crew members were easy to contact, and responded very positively to the script. Within four months, we had a commitment from UK sales company Parkland Pictures to handle the movie. But then came the hard part: financing the project. It took a while to realize that the initial plan wouldn't work. I didn't give up right away on getting French funding, which was a mistake. People wouldn't understand why I wanted to film both in French and English, and French TV channels wouldn't follow us on a genre film. I eventually gave up on the idea of filming in French, which was foolish from the start. But hey, one needs to learn from his mistakes!

Among the first people I met was director of photography Jérôme Alméras. He suggested we shot a short test film, to show as proof of concept. We decided it had to be ready in time for Cannes 2012, and got down to work. The location would be an underground place which used to be owned by monks. The actors would be Dario Costa as Sherlock Holmes (remember, he played the part in the public reading a year before), and Angèle Vivier as a screaming victim of the monster (she will play Christina, the innkeeper's mute daughter, in the movie). Costumes would be designed by Pierre-Jean Larroque, an Emmy and César winner with a taste for period pieces. And we hoped to have a great monster with crazy prosthetics... until we realized how little time and money we had. We had almost none of either. So we settled for a close-up of the monster's eye, which ended up being quite effective. We had a cold sweat a few days before filming, when Jérôme learned that he couldn't be there due to an important meeting for the film he was about to make with Pierce Brosnan and Emma Thompson (Love Punch). But his assistant Simon Blanchard prepped the shots with him beforehand, using the storyboard drawn by my wife Lucie, and everything went smoothly on set. In fact, I was happy to keep the crew as small as possible, because it felt strange to have so many people working around me: two makeup artists, the costume designer, two unit managers, a propmaster, and four people for the photography (we used an Alexa camera). They were all intrigued by the fact that I didn't have at least one assistant director, but I told them I never had any! Shane Briant provided a deep voice over, Matthieu Huvelin crafted a great music, and the teaser turned out to be pretty acceptable, eventually making it into two festivals (which wasn't the initial plan at all!)

Cannes 2012 was interesting, but Jean-Noël and I went there unprepared, having made no appointment beforehand, and kind of hoping meetings would happen spontaneously. We were partly right, because we met American director Jane Clark, who told us about a film she wanted to make in France – and we're working on it with her now. But we didn't find a pile of money waiting for us, or anyone ready to finance with their eyes closed an expensive film from a first-time director.

After Cannes, I went location scouting in Belgium. I had the best guide in the world: actor Eric Godon, who will play innkeeper Johann Klein in our film. We visited castle Reinhardstein, near the German border, and found all the places we needed in the area: the forest, the village, the inn, the Burgermeister's office... I came back with a good idea of what the film would look like. We were supported by the French Sherlock Holmes Society and its president Thierry Saint-Joanis, who said he would lend all the furnishing and props needed for the Baker Street set. At that moment, we were pretty confident that the film was about to get made, to the point where we issued a press release in June, right before I left for Belgium. When I returned, numerous websites had spread the info, and a few magazines had mentioned Sherlock Holmes vs Frankenstein with our promotional poster (by Gil Jouin, who had designed with his father Michel the French posters for Return of the Jedi, Young Sherlock Holmes, etc). A lot of people thought that filming was imminent. Well, it turned out it wasn't. Two years later, we haven't even started. Is everything ready? Yes. What happened since then? Wait till next entry!